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So far Sarah Walker The Curated House has created 396 blog entries.

Our Birth Story

It has been almost 12 weeks since the arrival of our sweet baby Tate, and oh, have we been savouring him! I can hardly believe how fast the time has flown. Cliché, I know, but so true. I’ve thought of you all so often and have wanted to catch you up on things around these here parts, but the little man has taken top priority and that has meant not having my hands free much. I’ve also been trying to be gentle with myself by prioritizing healing and recovery. And let’s be honest, the sleep deprivation also meant not having my head free much, at least not in a coherent sort of way!

THE GRAND ENTRANCE

I want to share Tate’s birth story with you, especially for all you mamas-to-be. And I want to start by saying this: Any way you have a baby is amazing. I mean, you carried, nurtured and grew another human life inside you for 10 months and then it came out of you and greeted the world with tears and cries and wonder. That is a miracle. And whether you had your baby at home or in an ambulance at the side of the road or in the hospital by c-section doesn’t matter. What matters is that your baby is in your arms and you love them more than your beating heart can contain.

It’s always been strange to me that motherhood could be a competition. I noticed it keenly after Noah was born – women comparing birth stories and their babies’ milestones and achievements like they were accolades. I didn’t like it then and I don’t like it now. So sharing my story is not my way of giving you something to compare against, because comparison is the thief of joy. It is my way of letting you into my world and {I hope} encouraging you, all with the knowledge that we are each unique and that’s a good thing.

TO HOPE, TO PLAN, TO DREAM – VERSION 2.0

I think every mama-to-be lands on some kind of a birth plan before the big day. I really came to my birth plan for Tate by way of my experience of giving birth to my gorgeous 9lb 4.5oz Noah. Having watched an amazing piece on a news program showing women giving birth without drugs and in quite a calm state, all by preparing mentally for the process of birth, I had done a lot of reading about the fear-tension-pain cycle. The basics are this: the more afraid you are of something the more your body will tense, and the more tense your body is the more intensely you feel pain. That intense pain causes you to be afraid and tense up, and so goes the cycle. I knew I didn’t want that if I could help it.

So I coached myself as if I were an athlete preparing for a big race. Each night, I reminded myself that pain in childbirth is normal. Whereas pain in regular everyday life is usually a signal from the body that things aren’t right, in childbirth, pain is a signal that your baby is coming to you. Pain signals something beautiful happening, and your job is to embrace the process. I told myself that the more I embraced the process of childbirth and the pain that comes with it, the less I would resist and the faster I would have my baby in my arms when the time was right.

I mentally walked myself through the 3 stages of labour and what would happen in my body. I visualized my happy place {the ocean and beach in Turks and Caicos} and I had a mantra that grounded me more than anything else. I did that mental work every night for about 3 or 4 months before my due date, and Noah’s birth was pretty incredible. Two and a half hours of active labour and twenty minutes of pushing later, I was holding my beautiful baby boy in my arms. I literally felt like I’d run a race and won!

Noah was born in the hospital, and there were aspects of that experience that I didn’t enjoy, so I decided after some serious deliberation that I would prefer to have Tate at home, an option for me because I worked with midwives this time around. I really can’t speak highly enough for these amazing women. To be a midwife is not just a career, it is a calling. Their round-the-clock commitment is remarkable, and they are not just practitioners. They are your partners. They are your cheerleaders. They are your caregivers. I’m so grateful I made the choice to work with them. The care I received from them was truly exceptional, before, during and after Tate’s birth.

I’M A WATER BABY

I did a lot of the same things in prep for Tate’s birth that I did for Noah’s {lots of prayer and positive thinking}, but I was more relaxed about it because I had such a positive experience to build upon. I had used the tub at the hospital to get through labour with Noah and I knew I wanted to be in water again with Tate.

One of the things I didn’t like at the hospital was that they made me get out of the tub and walk across the hallway when I was 9cm dilated and ready to push! I so wanted to just push Noah out in the water. The buoyancy was so gently supportive of my body. Knowing how much I love the water, we decided to rent a large birthing tub for Tate’s birth plan. It was delivered and set up in the nursery about 3 weeks before his due date.

As you probably know by now if you follow me on Instagram or we are connected on FB, after being told by the midwives that they thought he would be coming early, Tate decided to keep us all on our toes and hang in there an extra 6 days past his due date. We all agreed that given how fast Noah had come, I should call them a bit on the early side if I thought I was in labour.

After 3 false starts over the previous weeks {only one of which I called the midwives for}, I knew for sure we were in business on the morning of January 16th when the contractions were relatively consistent at 8-10 minutes apart. I was still calm and able to talk {don’t believe what you see on all those TV dramas!}. The contractions were still more like bad cramps, but I knew I was in pre-labour, so we called our midwife Dana and she came by the house at around 8:15am to check me and see where we were at. Her plan was to then go and see her clients at the clinic for the morning and come back at around lunchtime.

OH BABY!

Needless to say, Tate had other plans. By the time Dana had finished checking me, I’d kicked into active labour with contractions coming way faster. It was obvious that Dana wasn’t going anywhere. Graham had already been filling the tub with warm water, so I got into it pretty quickly and used the water to soothe my body and sort of swish my way through each contraction. Graham was amazing, placing cold washcloths on my forehead as things heated up.

And heat up they did! My second experience of labour was definitely more intense than the first. Being at home, I allowed myself to be a bit more vocal about it. I’m so glad it was a Thursday and Noah was at school! The transition phase was really hard {as it was with Noah} and then it was time to push. I think Tate would have come out faster if it wasn’t for the fact that he was holding his left fist up by his temple. Talk about strong and determined! It must have taken a lot of willpower to keep his hand up there while being squeezed out of the birth canal.

I found myself wanting to push but recoiling from the pain. His little fist up there meant that there was a lot more circumference coming through all at once, and I could feel myself tearing. In the end, I just breathed past the pain and after about 15 minutes of pushing, out he came. The world changed at 10:39am with the introduction of Tate Michael Alexander Walker – all gorgeous, peaceful and perfect 8lbs 8oz of him!

He and I each wound up with our own war wounds as a result of that determined little fist of his. I tore quite badly and he wound up with a little cyst on his head where his fist had been pressing into it. All that was nothing compared to having him safe and here in our arms, though! All I could do was keep saying “Hello! Hello, my love! You’re here! We did it!!” I cried, but only the good, salty-sweet kind of tears. There were a lot of answered prayers all wrapped up in Tate’s birth story.

THE AFTERGLOW

I’m so grateful to the midwives for their gentle and loving approach. Letting me bond with my baby was top priority after he was born, so Tate lay on my chest for about an hour skin-to-skin as soon as I was out of the tub {yup, even while I was getting my stitches – he was my perfect distraction}. I also got to take a hot shower in my own bathroom and lay down in my own bed right away. And I got to totally forego the horrors of hospital food, eating a delicious and nourishing meal that we had prepared ahead of time. I know home births aren’t for everyone, but it was totally the right choice for us.

Tate was truly so calm and peaceful after his water birth. He let us know when he was ready to try nursing for the first time by actually working his way towards the source. Babies are such breathtaking little miracles! The experience of nursing him for the first time didn’t feel forced or clinical like what I had experienced with the nurses at the hospital with Noah. Don’t get me wrong. It wasn’t like the clouds parted and the heavens descended or anything, but it was a quiet, connected and special bonding moment. I felt supported and safe in my own little home.

BROTHERLY BONDING

Graham went and collected Noah from school at around lunchtime so he could come home and meet his sweet new baby bro, and Noah actually snapped the first photo we have of Tate {above} with Graham’s phone! Noah was grinning ear-to-ear and beyond excited to meet his baby brother after so much anticipation and such a long wait.

We basically just snuggled in bed all afternoon, called and emailed friends and family, shared a quick “he’s here!” FB update….and then we slept…

JUST THE BEGINNING

There’s more to our story that I’d like to share with you in the hopes that it might be encouraging or helpful, but that will have to wait for next week’s post.

For now, snuggle up with the ones you love and tell them how much they mean to you.

xo
s.

By |April 8th, 2014|7 Comments

Project Nursery Update | Art Grouping #1

With the bones of the room just the way I want them, it’s time to get on to the one of my favourite parts: the art! I have so enjoyed curating the art groupings for this nursery. I wanted the art to mark the space with a sense of joy and delight, not to mention a healthy dose of whimsy. This is the grouping that now sits over the change table. Here’s what it looked like all laid out on the change table itself before we installed it:
And here’s how we installed it, along with a bit of the story behind each piece!
The central piece is by far the most storied. It just happens to be Graham’s favourite bear from when he was a little boy. This bear was/is undoubtedly besties with the Velveteen Rabbit, because his formerly velvet paws were rubbed raw by Graham’s sweet little baby hands. Seriously, just picture that for a moment. Cue heart melting. I swoon at the sight of his roughly stitched patches, matted fur and cock-eyed smile, especially knowing that he comforted my man when he was just a little man! This bear has seen some really good lovin’ in his time.
I commissioned my furniture maker to craft the beautiful natural walnut shadow box for Graham’s bear to nestle into, and I love the way it turned out. Because the solid wood shadow box is heavy, we put two anchors into the wall and drilled screws right through the back of it, hiding the mechanics with a simple board that I covered in a piece of blue and cream abstract modern linen from Kelly Wearstler for Kravet. I love the modern backdrop it creates for Graham’s vintage snuggler. A sweet little nest for this very “real” bear to call home.

Once the central piece was installed, we moved on to installing the two whimsical wood prints from Big Bear’s Den that I picked up at this year’s Christmas One of A Kind Show. I once again had my furniture maker craft the frames for these two little lovelies {which he then generously gave me as a Christmas gift! People are so kind!}. I’m thrilled with the result and love the way the walnut frames create a sense of warmth and connect with the wood on the change table/dresser. He made the frames to be installed with a wood block cleat on which to hang, and I love how stable this makes them. {See Graham installing the wood blocks above.}

The piece on the right says “wisdom begins with wonder,” and I don’t know about you, but I could use more awe and wonder in my daily life. I also think babies – and kids in general – are an invitation to be present and utterly mesmerized by simple beauty, observers of the oft-missed wonders in the world around us. It’s a good little mantra for life, really!
From there it all came together rather perfectly with a few final pieces, as you can see below:

TOP RIGHT: A dollar store DIY of mine, simply mounting two feathers in a shadow box frame on a remnant piece of oyster coloured shagreen wallpaper. {Total cost: $1.50}

BOTTOM RIGHT: The most charmingly debonaire faux taxidermy rabbit from Felt Factory, which I also picked up at this year’s One Of A Kind Show. I simply couldn’t leave that booth without bringing one of her sweet woodland creatures home with me! It was love at first sight.

BOTTOM LEFT: A gorgeous piece by printmaker Emma Nishimura from Art Interiors, floated on top of a heavy piece of watercolour paper in a simple but lovely black shadowbox frame. I’ve secretly been coveting this piece for a long time and LOVE how it connects with the birds in flight on the drapery panels. I also love the sophistication and refinement of this delicate print.

TOP LEFT: These bocce balls are also from Art Interiors. I’ve actually owned this piece by artist Erin Vincent for a few years now. It used to sit on a bookcase in another room in the house, and I have to take this opportunity to once again make a case for the value of buying smalls. {I know, I’m a broken record!} But really, you can rearrange smalls endlessly, reinventing the look and feel of a room simply by moving around the art. I love the sense of play this little piece infuses into the overall look of this grouping, and the fresh pop of colour is quite welcome.

Overall the grouping is rather soft and gentle. A little bit sophisticated, a lotta bit whimsical, and it totally makes me smile. With each addition to the room I have the growing sense that I’m really going to enjoy spending time in here. It’s a good feeling.

I promise to show you more photos of this grouping above the finished change table below. I’m thrilled with the beautiful change table topper that Graham made for me. It’s simple, good looking and super functional. As if he hadn’t already, Graham has quite firmly planted himself at the top of the super-husband list for life around here by making it. I am seriously so grateful for all of his talent and hard work!

And of course, there’s also the art grouping on the panelled wall that sits above the crib to show you…and the crib itself…and the rug and the chair and the ottoman…and the baby. Oh yes, that small matter of meeting the petit oeuf for whom all of this has been created! I’d say he’s the biggest reveal yet, wouldn’t you? All in good time {she says calmly while secretly thinking “soon, I hope!”}.

xo
s.

By |January 10th, 2014|2 Comments

Project Nursery Update | Getting the Bones Right | Wall Paneling, Paint Colour + Curtains

You may remember my post from a few weeks ago on where to start for inspiration when decorating. The advice I shared in that post really does apply to almost any room in the house {save kitchens and bathrooms}, but the nursery is a lovely example. Working with this gorgeous rug and incredibly charming and slightly whimsical Thom Filicia for Kravet fabric, I knew we were off to a great start.

The mood I wanted to create in the nursery was something of a quirky elegance; a whimsical sophistication. I knew I wanted a quiet colour palette to soothe and calm both baby and me, so the grey and cream colour palette offered the perfect place to start.

To up the sophistication factor, we opted to keep the walls very simple while still making a statement. Enter one of my favourite go-to wall treatments: paneling. Some applied moulding added to the new baseboard and crown give this room a sense of “bones” and presence without working too hard. It creates just the kind of elegant backdrop I want for the kind of new eclecticism I envision.

Sherwin Williams very generously provided me with my all-time favourite go-to paint for the walls, ceiling, baseboard and trim: Creamy 7012. The walls, paneling, crown and ceiling were all painted flat, but the baseboards, casing and doors are done in a semigloss. I love this colour because it is a warm white without being yellow, and yet it has more depth to it than some of the other go-to warm whites commonly used. Even better, we used Sherwin Williams’ Harmony VOC-free paint to ensure a happy, healthy environment for the sweet babe.

{Side note: I wanted to see the floors sanded and stained in the nursery to match the floors in the rest of the house, but the time and effort required as well as the fumes it would have produced nixed that decision. Another project for another time.}

Once the painting was done it was time for the custom curtains to go up. I can’t begin to tell you how much I  l-o-v-e  these drapery panels! The Thom Filicia linen fabric – an incredibly generous gift from my kind and lovely friends at Kravet – is both lighthearted and elegant and will transition through many years of living. I would happily use this print in a living room or a grown-up bedroom just as much as a nursery, and I love the sense of freedom connoted by all the birds in flight. I have no doubt we will be living with these gorgeous linen panels for many years.

Working together with the feature wall of books and art in the reading nook, things are really starting to feel inspired. I just know I’m going to enjoy spending countless hours in here with my little one!

There is still more artwork to be installed, and of course the rug, crib, chair and ottoman need to be put in place, so stay tuned! More sneak peeks ahead…

xo
s.

By |January 8th, 2014|0 Comments