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Sweet Paper Crafts | A Project, An Interview + AGiveaway!

I recently received a lovely book from the fine folks at Chronicle Books {my favourite independent publisher} and I’m very excited to share it with you! As you know, I have a confessed addiction to paper products, and Mollie’s delightful book Sweet Paper Crafts is brimming with inspiration on how to get creative with things you’ve likely already got at home.

What better way to start than by sharing the details of the lovely project featured on the cover? I was instantly charmed by this sweet little bird and thought perhaps you’d enjoy giving this one a try yourselves.

What you’ll need:

Percher Bird templates – download at www.chroniclebooks.com/sweetpaper
Cereal box
Pencil
Scissors for cardboard
Masking tape
Newspaper
Ruler
Scrap wire
Wire cutters
20-gauge straight stick floral wire
Thin liquid glue such as Mod Podge
Small dish
Papers
2 foam brushes
Polyurethane (optional)

How to make your little bird sing:

1. Download the Percher Bird templates at www.chroniclebooks.com/sweetpaper. Open the cereal box and lay it out flat. Using the pencil and templates, trace two bodies, two wings, one breast, and one tail feather on the box. Cut out the pieces with the cardboard scissors. Holding the two body pieces together, attach them along the head and back with a piece of masking tape. Keep applying masking tape where the bodies meet to secure pieces.

2. Slip the breast piece between the body pieces, inserting the pointed end at the head and curving the breast piece slightly so that it aligns with the bottom of the body pieces. Use masking tape to secure the breast piece along the edges where it meets the body. Stuff a little newspaper inside the body to fill out the bird and make it a bit stiffer. Tape the wings in place on either side of the body. Bend the wings a bit so that they come away from the bird. Reinforce with tape as needed to keep the wings in place. Fold the tail feather piece in half to create a crease. Tape in place at the back of the bird. Cover the entire bird with masking tape, using plenty of tape to make the bird stiff, especially in the wing and tail feather areas, but be careful to apply the tape evenly so that the bird is not front or back heavy.

3. On the underside of the bird, at about the center of the bird’s belly, make two marks with the pencil, each about ¾ in/2 cm from either side of the underside of the bird. Using a piece of scrap wire, punch holes for the legs. Widen these holes with your cardboard scissors. Using the wire cutters, cut an 8-in/46-cm piece of floral wire, then cut it in half. Hold the two pieces of wire together (as if you have one piece of wire) and push them into one of the leg holes. Push the wires through the bird and out through the other leg hole. Pull until you have an equal length protruding from each hole. Bend each end to make feet about 2½ in/6 cm long. See if the bird will stand. If the legs are in the right location and the feet are big enough and the right distance apart, the bird should support itself. It may take a few tests before you get the placement right. If the bird is front or back heavy, you may need to make cuts into the belly and move the legs back or forward until the bird stands on its own. Once the bird stands, secure the legs at the entry and exit points with masking tape.

4. (I recommend spreading newspaper on your work surface before starting this step.) Pour a small amount of glue into the dish. Tear your chosen papers into strips of varying lengths and widths. Pieces 3 in/7.5 cm long are easiest to work with. One at a time, dip the pieces into the glue, covering them entirely, and then use a foam brush to wipe any excess glue into the dish. Apply the pieces in over-lapping layers all over the bird, going around and behind the wings and under the breast and tail feathers. It is important to wipe away excess glue from each piece and to use a light hand to avoid creating bumps and wrinkles in the paper. Let the bird dry standing up. The first layer should take at least an hour to dry thoroughly. Check for places that need more coverage, apply more paper as needed, and let dry again.

5. When the bird has dried and you don’t need to add more layers, apply a final coat of liquid glue or, if desired, a layer of polyurethane, using a clean foam brush.

Mollie was kind enough to answer some questions so we could get to know a bit know about the creative mind behind these innovative paper projects. Here’s our little interview.

1. Do you remember the first piece you made with papier maché? What was it?
I know that I did some papier maché with a flour and water paste in elementary school, but I don’t remember what we made! The first papier maché I really remember doing was a collaboration on some large scale heads for an experimental theater production in graduate school. I remember loving it and wishing I had time to do more work like this, but I was busy studying theater and had little time for anything else.

2. How did you come upon your fascination and gift for upcycling old things (scraps of paper, buttons, ribbons, etc.) to give them a new lease on life?
I’ve been a collector of odds and ends since I was a child. Some things were from nature, others were little trinkets I’d find here and there. There were always birds eggs and feathers stashed away in my room when I was a kid. When I spent the night at her house, my grandma would let me rummage through the sewing box and string bits of ribbon and buttons together. She also had this great set of childcraft books that had the best Make & Do book in the series and we would use things found around her house to make the the projects in the book. I was a little girl who loved to make things out of whatever I could find and I just never grew out of it.

3. What are your favourite or most unexpected sources for inspiration?
I love flipping through children’s books from the 1960s and natural history books from the early 1900s. The color combinations are usually surprising and beautiful and there is always a shape or a landscape of patterns that give me ideas and inspiration for my work. I think the most unexpected places I find inspiration is in everyday conversations with people. Sometimes an idea is born just because I suddenly notice the patterns or colors someone is wearing, the way the person is fitting into (or standing out in) the environment, or the story someone is telling. It pays to pay attention to the little things going on around you.

4. What is your favourite upcycling project you’ve worked on to date?
My favorite thing to work on are mobiles. Taking old paper from ruined or forgotten books, cardboard from record jackets, cutting them into shapes, hanging them and watching them spin is something I don’t get tired of doing. I did a series of large horse mobiles using arrows and vintage magazine pages for a show a couple of years ago and it was really exciting to see them hang all across the ceiling of the gallery, the arrows looking like they were shot through the air while the horses leapt beneath them.

5. How does your love of upcycling and your approach to paper crafts translate into the way you decorate your home?
We have several favorite mobiles that hang in our house, and, if I’m honest, I’ve amassed quite a large collection of paper garlands. But I usually save the excessive festooning for the Christmas holidays. Most of our furniture and things have been rescued from thrift stores and junk shops and we have a pretty eclectic mixture of curiosities, mid century modern furniture and artwork by local artists and friends in our home. I feel like the paper mobiles and garlands are sweet little surprises in the midst of the other collections, but I really don’t go overboard with paper finery unless we’re celebrating a birthday or a big holiday that warrants busting out a mile or so of paper birds strung on golden string.

// GIVEAWAY //
As if sharing one of Mollie’s lovely projects with you wasn’t enough, Chronicle Books has decided to partner with me to give away a copy of Sweet Paper Crafts! Here’s how to enter:

1. Share this post on Facebook and show us your sharing love by linking back to it in the comments below.
2. Tweet this post on Twitter making sure to tag @CuratedHouse and @ChronicleBooks and let us know you’ve been tweeting it up in the comments below.
3. Pin the image of the book cover to Pinterest and show us your pinning prowess by linking back to it in the comments below.

Easy peasy! You’ve got until July 10th to share this with all of your friends and followers and win one of the first copies of this sweet little volume to be released! Now go! Share the Sweet Paper Crafts love!

xo
s.

By |June 26th, 2013|3 Comments

Design Find | The Casa Acanto Collection by Fisher Weisman

It’s been nearly a year since that fateful day when I naïvely stumbled into the design offices of Fisher Weisman, thinking I’d come upon a retail store. Their bright red door – top half open to the breeze – was the perfect gateway to the enticing view of spectacular custom pieces within. Little did I know that in that moment I had surreptitiously discovered one of the premier design firms in San Francisco.

Today I am delighted to tell you that this brilliant design duo has recently launched their own line of accessories and furnishings, bringing their impeccably original and timelessly beautiful designs to a wider audience with the launch of Casa Acanto.

The name for the eponymous Casa Acanto collection was drawn from Andrew Fisher and Jeffrey Weisman’s spectacular 18th century San Miguel De Allende Mexican retreat, recently featured in Architectural Digest.

Casa Acanto‘s stunning collection of tables, desks and accessories showcases Fisher Weisman’s brilliance for pairing exquisite craftsmanship with intricate details and the use of unexpected materials. The collection is at once timeless and yet somehow other-worldly, inviting a fanciful sense of wonder and admiration at their attention to detail and delightfully unique designs.

“The Casa Acanto collection showcases the dramatic style and unabashed luxury that have become hallmarks of our interiors,” said Andrew Fisher, Chief Creative Director of Casa Acanto. “Throughout the course of our careers, custom pieces have been key to our work and the Casa Acanto collection enables us to offer our designs to a broader audience that appreciates inventive design.”
Perhaps my favourite grouping in the Casa Acanto collection is the Veracruz series of outdoor tables, exquisitely crafted from Brazillian teak and powder coated steal. The way these pieces fit together like a puzzle is entirely genius, and the flexibility they offer for a variety of configurations for entertaining is perfect for our fluid and flexible lifestyles. I can see this collection of tables making a stunning formal dining table for an indoor dining space just as much as outdoors, but how decadent to dine in such luxury under the stars!

Perhaps it is in their collection of Casa Acanto accessories that Fisher Weisman‘s sense of whimsy and wonder are most keenly expressed. The golden toad appears to have materialized straight out of the pages of a fairytale.

Casa Acanto is the culmination of our combined five decades in the design industry,” said Jeffry Weisman.  “The collection pairs rich materials with fanciful details and exquisite workmanship.  We are thrilled to offer these distinctive pieces, designed to transform any room.”
With such a delightful initial offering, I will most definitely be keeping a close watch on all things Casa Acanto and Fisher Weisman! They have unquestionably captured my imagination and delighted my appetite for innovative design.
xo
s.
By |June 25th, 2013|0 Comments

The Curated Collection | Ann Sheir

I have long been a fan of the mystery and texture that are layered into encaustic work. A technique that combines pigment with wax, encaustic work is tactile yet ethereal, the translucency of the wax creating a filmy veil over the details, inspiring a dream-like interpretation of the subject matter. Canadian painter Ann Sheir – an accomplished Toronto-based encaustic artist – has a collection of encaustic works that focus in on the elusive beauty of cherry blossoms. From the tree in our own backyard to the legends of the Japanese cherry blossoms my mother grew up admiring, I have a fondness for this delicate icon of nature and love the way its beauty is captured in Ann’s work.

As it turns out, Ann also teaches classes and workshops from time to time. If you live in Toronto and would be interested in taking one of Ann’s classes, contact me and perhaps we could put a group together!

Wishing you an inspired Monday.

xo
s.

By |June 24th, 2013|0 Comments