/Femme Five Art Collective

The Curated Collection | Ann Sheir

I have long been a fan of the mystery and texture that are layered into encaustic work. A technique that combines pigment with wax, encaustic work is tactile yet ethereal, the translucency of the wax creating a filmy veil over the details, inspiring a dream-like interpretation of the subject matter. Canadian painter Ann Sheir – an accomplished Toronto-based encaustic artist – has a collection of encaustic works that focus in on the elusive beauty of cherry blossoms. From the tree in our own backyard to the legends of the Japanese cherry blossoms my mother grew up admiring, I have a fondness for this delicate icon of nature and love the way its beauty is captured in Ann’s work.

As it turns out, Ann also teaches classes and workshops from time to time. If you live in Toronto and would be interested in taking one of Ann’s classes, contact me and perhaps we could put a group together!

Wishing you an inspired Monday.

xo
s.

By |June 24th, 2013|0 Comments

The Curated Collection | Aleksandra Rdest

You know me. I love a story driven by process, and Canadian painter Aleksandra Rdest‘s is a good one. Recently compelled to find a less toxic medium with which to work, Aleksandra’s creativity as a painter has been pushed to new limits and soared to new heights through the beauty of experimentation. Redeeming a technique that has existed for centuries {in fact, samples from the 1st century still exist}, Rdest chose egg-based tempura painting as her new, non-toxic medium of choice. The result is a group of very modern paintings created using a truly old-world, classical technique.

I studied tempura painting in my art history classes, but I had forgotten one very important detail in the years that have passed: it is only the yolk of the egg that is used to create the paint. As such, the artist has a deep yellow base from which to start creating their colours. This is not so problematic for producing golds and greens, but it provides significant challenge for creating true and clear blues and purples.

Aleksandra seems to have overcome this hurdle with grace and ease, though she says she is still working to refine her colour formulas.

The fast-drying nature of the egg-based tempura seems to suit the graphic, almost photo-negative aesthetic of Rdest’s paintings. I am very excited to see where this new technique will lead her work.

Aleksandra’s process makes me wondered what old world technique or handcraft – discarded in our age of technology and “all things new” – needs to be revived or reconsidered. Sometimes the new way isn’t in fact the best way, and I love that her passion for living a toxin-free life drove her to redeem this all-but-lost artform.

What discarded way of doing things could you redeem and make new today?

xo
s.

By |June 3rd, 2013|1 Comment

The Curated Collection | Suzanne Ernst

I always love a good story, and today’s artist certainly has one. Armed with a masters degree in landscape architecture from Harvard University, Suzanne Ernst started out making her mark as the in-house landscape architect for a major Canadian architectural firm, working for clients around the clock to pour her passion for design and beauty into their projects. But the gratification of seeing her visions fulfilled was often waylaid by competing budgets, and the hard edges of the business started to wear away at the softer edges of Suzanne’s artistic integrity. So, in an act of courage and honesty, Suzanne embraced her love for landscape and decided to protect it by giving it a new voice as a mixed media visual artist.

Armed with her camera and her very personal and refined view of the natural world, Suzanne now expresses her well-honed vision through the lens. She prints the images to her chosen scale and then lovingly enhances each one with acrylic paint, ink, pastels and pencil crayon before adhering them to board and finishing them with a water’s-surface-like coat of colour-enhancing resin.

Suzanne’s story is a story of redemption, really. Of protecting the thing you love most. Of staying true to your passions and recognizing where they are best set free.
I wonder how each of us might take a page from Suzanne’s book? Where do I need to take a leap of faith to guard and protect my first loves? Clearly – as evidenced by Suzanne’s work – the results of such courage are truly beautiful.
xo
s.
By |May 27th, 2013|0 Comments