/figurative painting

The Curated Collection | Sara Caracristi

I have a confession to make: I have a rather interesting relationship with figurative paintings. I suppose on a simple level, one would call it a love-hate relationship. I love the power of figurative work to evoke emotion, but I do not love the way that some figurative work forces me to feel a part of a story that doesn’t feel like my own. This seems particularly true for me with most figurative portraits. As a result, I have a lot more abstracts and landscapes in my personal art collection than I do figurative work. In fact, until recently coming across Sara Caracristi through my friends at Art Interiors, Elizabeth Lennie was the only figurative artist who drew me into a story that felt safe enough for me to hang in my own home. I know that probably makes me weird, but I’ve confessed it to you now, so I feel better about it.

In contrast to the figurative portraits that create in me a sense of discomfort, Sara Caracristi’s vantage point on her figurative work is something different altogether. Yes, there is a distinct sense of story and relationship in the characters she paints; and yet, there is an even greater sense that I am the observer. I am free to hover above the story in a way that leaves me feeling safe, amused and still very engaged. I feel more like I am people-watching at the airport, musing on the wanderings of humanity as we buzz about everyday life.

There is a level of detail in Caracristi’s paintings that is deeply personal, and yet her mastery of the aerial vantage point also allows the figures to blur into more abstract blocks of colour to my eye.

For me, this creates a kind of abstraction that is typically quite unexpected in this style of figurative work. And I love it.
I also love the constant sense of motion, that life is always moving, always changing. I feel drawn into that story and made just a little bit more alive from it when I engage with Caracristi’s paintings.

How do you feel about figurative work? Does it draw you into a story; make you feel a part of history? I hope Sara Caracristi’s paintings will inspire you to become a more active observer of detail, perspective and relational interactions, even if it is from a polite distance.

xo
s.

By |July 8th, 2013|0 Comments

The Curated Collection | Matthew Schofield

I believe that good art is a filter to the world. It gathers and collects the memories and emotions and experiences that are difficult to shape and gives them form and meaning. Good art distills life and makes it somehow more palatable or beautiful or comprehensible or sane. Good art makes us feel something.

And that is how I feel about the work of Matthew Schofield. Matthew’s work makes me feel something. For me, it is a sense of being transported back into childhood memories, even though the images he paints are from a childhood not my own. There is something about the ordinary, everyday-ness of the scenes and moments and details he captures that reminds me of my former child-sized view on the world, and somehow this is comforting.

I first came across Matthew‘s work with the collection of pieces you are seeing here. Making the most of Snap Decisions was an exhibition of paintings created from the 4 x 6 inch photographs taken by  Matthew when he was young; accidental compositions unwittingly created at various stages of his youth that he had collected and kept over time. Random moments captured in youthful photographs now translated by the adult Matthew into these beautifully detailed paintings. As he calls it, “the ordered outcome of the cumulative imagery.”

{Admit it, you just “roared” like you did when you were a kid playing with your plastic T-Rex.}

My absolutely favourite painting from this collection was and is the one above. It is in fact carefully installed in my home in a secret place of honour where I get to engage with it daily. I see something of my son’s childhood and mine all wrapped up together in it, and I experience a joy, curiosity and freedom each time I linger.

I am entirely smitten with images from his latest collection as well – a continuation of my own childhood memories as seen through the lens of Matthew‘s. Memories of picnics and driving through The African Lion Safari in our sweaty car one summer and guests gathered around our dining table in the dim light of the evening. To me, Matthew elevates ordinary moments and reminds us that they are the canvas upon which we paint our lives.

What memories have you collected, that – if pulled together and considered for their potential – might just be beautiful? Wishing you a day where even the ordinary reveals it itself to be extraordinary when given the chance to really be seen. Thank you, Matthew, for the reminder and the inspiration.

xo
s.

By |January 21st, 2013|0 Comments

Make Something Mondays | Sarah Hillock

It’s always inspiring to me to learn about how people realize their calling. For artist Sarah Hillock, it came unexpectedly.  Traveling on a break from studies in figurative painting and drawing at OCAD University, Sarah was hiking through a field when she found herself greeted by the warm and intelligent affections of a herd of cows pressing against the fence, each one competing for her attention.

The encounter flooded Sarah with the memories and emotions of an early childhood spent in the adoring presence of just such creatures on her family farm in rural Ontario. At once her life history, passion and talent collided to form the future direction Hillock’s body of work. Sarah returned from the trip and painted her first bovine portrait. Hillock hasn’t looked back since.

I will confess that I am not commonly drawn to the subject matter of farm animals in fine art, but Sarah’s paintings feel more figurative than farm animal to me. Each creature is depicted with such personality and engagement that I find myself drawn in unexpectedly and entirely. With each piece, there is something in the eyes that speaks of a dialogue between creature and girl, and I feel transported into Sarah’s story as I drink that in. I was truly moved when I saw Sarah’s work for the first time – in fact, it stopped me short in the midst of a fast-paced walk. I found myself immediately engaged with her passion for rural life and the beauty of the creatures she honours in her work.

An avid traveller, Sarah now chooses her subjects from fields and farms all over the world. Hillock’s work has been included in collections and exhibitions all across Canada, and she is currently working on an upcoming exhibition with DeLuca Gallery in Toronto.

Wishing you an inspired Monday, where at least one moment of unexpected beauty will stop you short and make you linger.

xo
s.

By |December 10th, 2012|0 Comments