/Make Something Mondays

The Curated Collection | Kelly Reemtsen

Provocative and compelling. That is my first reaction to the work of fine artist Kelly Reemtsen. The unexpected pairings of pretty and powerful depicted in her paintings are at once arresting and demanding of a response. From the moment I first laid eyes on her work, Reemtsen had both my rapt attention and my most sincere admiration. She also had me brimming with questions and the desire to sit down for coffee with her for a conversation that would no doubt be utterly fascinating.

I wanted to know if Reemtsen was being literal or ironic; direct or subversive. As it turns out, Kelly is not making an ironic statement about feminism. She is not theorizing about housewives. Rather, she is painting modern day empowerment as she sees it.

Grace and strength, beauty and empowerment are juxtaposed and yet entirely at home together in fit-and-flare silhouettes, pearls and “any tool necessary to get the job done.” I believe Kelly in her sincerity, and yet still I wrestle with my own personal tensions as a woman and the ways in which I see them threaded throughout these prim and unexpectedly powerful narratives.

Clearly, Kelly’s subjects are women who will do whatever it takes to be extraordinary. They are the kind of women I admire; the kind of women who intimidate me; the kind of woman I’d love to become in my more polished moments.

I think the questions Kelly’s work calls to mind are how I can more aptly marry beauty with fierceness; fearlessness with gentility; pretty with powerful. I love that she has me asking these questions. It feels to me as though she’s saying we don’t have to choose between these worlds. Pretty girls can get their hands dirty. Fierce girls can wear pearls. Graceful women can use power tools. We can get the job done and look good doing it.

Thank you, Kelly, for your compelling and beautiful paintings and the conversation they spark within me. I am sincerely inspired by your courageous, feminine strength and am honoured to have encountered your work.

xo
s.

P.S. Would you believe Kelly actually wraps gifts in maps just like me? And phone book pages, too. The best.

By |January 7th, 2013|0 Comments

Make Something Mondays | Graham Blair Woodcuts

For today’s edition of Make Something Mondays, I am sincerely delighted to feature a printmaker hailing from the salt-of-the-earth East Coast of Canada. Based in St. John’s, Newfoundland, Graham Blair specializes in woodcut prints made using methods in keeping with the oldest form of printmaking.

This beautiful video offers a glimpse at the delicate and tender process of creating Graham’s art prints.

I am rather swoony for the authentically Canadian content of Blair’s chosen subjects – truly a collectible body of work. All of Graham’s limited edition prints are hand-carved and hand-printed without the use of a press, and once the limited edition prints are sold, the image is no longer available. Blair begins with a sketch transferred onto a raw piece of wood. As you can see in the mesmerizing video above, he then meticulously uses a variety of knives and gouges to carefully carve the relief image. Finally, in the style of Japanese printmakers, Graham uses the warmth of a bamboo spoon to burnish the print onto heavy paper.
I hope Graham Blair’s beautiful process and has inspired in you a deep appreciation for the value of the handmade process that makes his work so lovely. The beauty of his subject matter, his process and his art all make me truly proud to be a Canadian. 
xo
s.

By |December 17th, 2012|0 Comments

Make Something Mondays | Sarah Hillock

It’s always inspiring to me to learn about how people realize their calling. For artist Sarah Hillock, it came unexpectedly.  Traveling on a break from studies in figurative painting and drawing at OCAD University, Sarah was hiking through a field when she found herself greeted by the warm and intelligent affections of a herd of cows pressing against the fence, each one competing for her attention.

The encounter flooded Sarah with the memories and emotions of an early childhood spent in the adoring presence of just such creatures on her family farm in rural Ontario. At once her life history, passion and talent collided to form the future direction Hillock’s body of work. Sarah returned from the trip and painted her first bovine portrait. Hillock hasn’t looked back since.

I will confess that I am not commonly drawn to the subject matter of farm animals in fine art, but Sarah’s paintings feel more figurative than farm animal to me. Each creature is depicted with such personality and engagement that I find myself drawn in unexpectedly and entirely. With each piece, there is something in the eyes that speaks of a dialogue between creature and girl, and I feel transported into Sarah’s story as I drink that in. I was truly moved when I saw Sarah’s work for the first time – in fact, it stopped me short in the midst of a fast-paced walk. I found myself immediately engaged with her passion for rural life and the beauty of the creatures she honours in her work.

An avid traveller, Sarah now chooses her subjects from fields and farms all over the world. Hillock’s work has been included in collections and exhibitions all across Canada, and she is currently working on an upcoming exhibition with DeLuca Gallery in Toronto.

Wishing you an inspired Monday, where at least one moment of unexpected beauty will stop you short and make you linger.

xo
s.

By |December 10th, 2012|0 Comments